Page 4 - Hawaii Island MidWeek - May 18, 2022

4 HAWAI‘I ISLAND MIDWEEK MAY 18, 2022
Eddie Ortiz, at center and far left, is the leader of Eddie Ortiz and Son Caribe, a 14-member band that includes Clayton “CJ” Silva, at left, and Hitomi Davis.
The leader of Eddie Ortiz and Son Caribe may be the only one of Hispanic heritage in the band, but that doesn’t mean the other members aren’t as passionate about Latin music or aren’t immediately drawn in by the allure of its pulsating rhythms.
The beat goes on for the musical outfit Eddie Ortiz and Son Caribe, which has been filling the islands with intoxicating rhythms of the Caribbean for the past 20 years.
Eddie Ortiz and Son Caribe members continue to share their passion for Latin music and are excited about their upcoming album. Members include
(from left) Daniel Sananikone, Joseph Nakamoto, Eddie Ortiz, Cynthia Romero, Jeremy Killeen, Daniel Weber, Clayton “CJ” Silva, Guy Lum and Reid Ishikawa.
music void by creating Eddie Ortiz and Son Caribe in 2000. Son Caribe means “rhythm of the Caribbean” in Spanish, Ortiz notes, and is a nod to the type of music (contemporary, top 40 and jazz) that the band creates. Its goal is to make people feel good and to engage with all audiences. He adds that his goal as a songwriter is to compose songs about peo-
Despite the challenges the band has faced, Ortiz believes all the hard work has paid off. From initially struggling to book appearances to perform- ing internationally, the group has come a long way.
“For me, it’s always been a lifelong thing,” says Eddie Ortiz, a New York native of Puerto Rican descent who was raised on Latin tunes. “It’s my culture — it’s something that I was brought up with at home. With the rest of the musicians, I think they enjoy the fun mu- sical arrangements.
“We were able to establish ourselves in Asia from Ha- wai‘i, and now we’re starting to get attention from Latin America, which is something that I’ve always wanted to be able to do,” Ortiz beams.
“We have a nice blend of multicultural input,” contin- ues the band’s trumpeter and arranger. “I wouldn’t have it any other way. To me, I’m blessed with the best. We look forward to playing together ... we have fun on the job.”
The current group consists of Cynthia Romero, featured vocalist and auxiliary per- cussion; Clayton “CJ” Silva, congas; Guy Lum, timbales; Joseph Nakamoto, Jeremy Killeen and Josue Rodriguez, trombones; Daniel Sanan- ikone, trumpet; Hitomi Da- vis, piano/keyboard; Reid Ishikawa, bass; Shaun Torres, bongos and auxiliary percus- sion; Daniel Weber, guitar; Ray Lafoon, drums; and Luis Santos, vocalist and auxiliary percussion.
When the band first stepped out on the scene, the members had a hard time getting booked at venues. The band was told that Latin music was “a niche market” and that “it’s not real- ly marketable.”
Ortiz says that “every guest is important” and that the band will always strive to put its best foot forward at each perfor- mance because the members know they wouldn’t be where they are today if it weren’t for the community.
These days, the fun in- cludes the band’s forthcom- ing CD, which is currently in production and will feature 10 originals when it’s released later this year. In addition, the group’s cover of Si Te Vas has madeitswaytoNo.4onthe NewGenSalsa International Top 50 Charts — a smok- ing-hot indication that the band’s steamy Latin sounds continue to strike a chord with listeners around the globe.
So, just how did this band with island roots come to be? Ortiz explains that he used to play in another group while stationed here as a U.S. Ma- rine. When his military career ended, his desire was to con- tinue living in the Aloha State, but the lack of what he calls “authentic Caribbean music” in Hawai‘i bothered him. He took it upon himself to fill that
ple who are in love.
“Our hope is that when
“Latin music is performed in a variety of languages, but the rhythms are what carries the name of Latin music,” ex- plains Ortiz, whose band has performed at just about every major Latin music event in Hawai‘i over the years and has opened for music luminaries such as Celia Cruz and Pon- cho Sanchez. “The primary rhythms we play are salsa, me- ringue, bachata and mambo.”
vigor from the younger musi- cians,” he explains.
to learn and listen so that I can teach them — I’m good,” he explains. “It’s been fun be- cause I enjoy teaching. It’s fun to bring somebody along and watch them develop skills in a different genre of music that they didn’t have before.”
Whether it be with tourists who remember the band from a previous trip to Hawai‘i, or with college students looking to dance the night away, the band has maintained a strong following. In fact, fans eager- ly await the band’s return to performing live at Ilikai Hotel & Luxury Suites’ courtyard — that is, once the finishing touches are put on the album.
people leave our performanc- es, they feel better than when they came,” he says.
“That was one of the big- gest obstacles — just getting our foot in the door,” Ortiz re- calls. “It was very difficult in the beginning until we proved ourselves that we could not only draw an audience, but maintain an audience, and thankfully, continue to grow audiences.”
Besides Ortiz, the band boasts members of various ages ranging from their 20s to their 50s.
The band has employed around 500 musicians over the years, but Ortiz says that pro- spective members don’t need to be experienced in Latin music to be a part of the band.
“I’m so grateful to the peo- ple in Hawai‘i for the way they received us,” Ortiz says. “It’s something that I would’ ve never imagined before I start- ed the band. It’s been such a blessing, really.”
“It’s a good mix because you’ve got a lot of experience with the older musicians, and you’ve got a lot of energy and
“As long as they’re willing